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The Twelve Broadcasting Commandments
___________________________________________

THE TWELVE BROADCASTING COMMANDMENTS
Success in Television broadcasting goes beyond good programming. LV Krishnan and Akash Chawla put forth winning strategies for a forward-looking TV channel.
With all the hype surrounding the Entertainment industry, it seemed just the business that could rake in the moolah. The spirit of the Entrepreneur within me decided to embark on the task to accomplish the baron status in broadcasting. I assumed the distant reality that the only thing I had to do was to cultivate a few good programmes and put it on air. Like any other organized industry, media has a universal currency, called Television Rating points.

Unfortunately, the first task that I did was to collect a whole host of excuses to rubbish this system in the case that the ratings were adverse for my programmes. “sample size too less”, “error levels…ridiculous” and the most effective among these being “rigged”. With this in mind, I embarked upon my mission, but little did I know that this would lead me to a path, which would be too sinewy to travel. “Which programmes do I make?”, “ What properties do I acquire?”, “How do I strategize for my channel?” …questions like this were challenging my whole existence as a successful businessman.

It was on one such rainy, thought provoking evening that in a very Harry Potterish style, God decided to bless me with a genie, who would preach me the 12 commandments of successful broadcasting.

And sitting on top of a cloud of smoke he thundered, “The first commandment is to approach broadcasting as any other business in a commonsensical manner”. Big help, I retorted. “Think”, he goes on. “Like a product category such as soaps or shampoos has a market share, similarly, it would be interesting to study the shares of the various genres in TV. This would help to understand the genre-preference of the audiences and hence would be a ready basis for a category of programme selection.”

Diagram 1:
Indeed. With such wisdom,I felt a bit enlightened. Genre preferences seemed to be a ready guide to help let me know the shift in audience preferences and help solve some basic questions like, ”Are movies doing better than sports?”. The genre now decided, I can now focus on the programme content within the genre.

The genie now seems to be pleased with himself and avered the second commandment. “The term segmentation, if used wisely, could help decide the audiences that the programme has to be targetted to.” I am sure that now will come the research jargon of SEC’s and age-groups etc. that will go a long way in making me get an inferiority complex of a humongous magnitude. “The characters within the programme have to have a connect with the target audiences. Right from costumes of the starcast, the language, the places/houses, accessories like bindies, phones, sunglasses, etc. – everything has to confirm with the taste of the target audience. This would help to achieve that emotional connect that is of utmost importance in a competitive scenario. ”Huh! And I thought that just a rented bungalow and a few change in dresses would do the trick. Give me an example to help me understand better”, says I to the genie.
And Boom!!!

Diagram 2
“In the above example the SEC dispersion of individuals in that market was SEC A: SEC B: SEC C: SEC D = 19: 22: 28: 30. This should help you realise that all programmes do not attract the same kind of audiences and one has to be very focussed at the conceptualising stage itself whether you want the programme to be positioned as a Dove or a Lifebuoy.”

Confidence now building within me, I decided to relax and buy my new friend a drink. I went to a nearby store and asked for a bottle of brand X (The name of the brand has been cut by the censors). This brand was not available and I therefore conciled with a brand Y. Not too satisfied with this other drink, I said to myself, “If brand X was available here, I would have never opted for this.”. Taking a long sip, the genie smiled and remarked, ”Imagine that after doing all the hard work for programme creation, what if, like this product, the distribution of the channel was not in place?” With 68% of television owners in India owning Black & White TV sets and the urban markets too having as much as 43% Black & White TV penetration, the distribution is one of the prime functions. Like, various brands vie for shelf space in a departmental store, so do the channels to get transmitted buy a cable operator on a frequency that is accessible by more people. ”Wow!This has to be the third commandment!” The cable operator transmits channels on various ‘bands’. These are Prime Band, Colour Band, S-Band, Hyper band and UHF band. The prime band carries only 12 channels and can be accessed by any TV set whether old or the new, hyper band TV sets”.

Diagram 3
“In diagram 3, one can see that as connectivity in the top 2 bands, Prime + Colour band, improved for Channel A in week 8 of 2001 from around 11% in the Prime + Colour band to 71%, the reach figures improved dramatically from 31% to 50%. ”Hmmm! Let me just sum this up. To clarify this concept, connectivity would drive availability, and availability would drive trials.”

“You seem to be learning fast”, my new friend remarked. “This means that the product is now in place. The push has now been created among the trade channels. Now is the time to synergise the trade push with consumer push. This can be done through effective promotions”. This to me appeared to be very commonsensical and not ‘genieish’ at all. “Even advertising within your own channel or bouquet of channels, every promotion spot actually entails an opportunity cost that you could have earned had you sold that spot to an advertiser. Hence, it becomes necessary to get the most optimum yield from your promotion plan and maximize trials.

Diagram 4
“In the above matrix, the objective should be to maximise the number people who have seen the promo and also seen the programme. In other words, if the promos do not induce the people to trial the programme, the promo plan will culminate into a high opportunity cost”. The genie was beginning to instill a thought process in me that I knew would make me venture into the unknown. I decided to voice the intrepid seeker of knowledge within me and asked the genie, “All of this would generate the trials for my programme. But should I not make the people who have come to the programme spend more time within the programme?” The smile on its face said it all. “I see that now you are raking your greycells a bit. This is the fifth commandment”, said he.

Diagram 5
“If the horizontal bars represent the number of people reached by the programme, the width of the bar reduces when the people who were reached for atleast a minute was compared to the people who were reached for 5 minutes etc. The more the stickiness, the more the proof of the quality of the programme, the better the rating.”
The jumbled pieces were now beginning to fit well and I was even analysing graphs that seemed to have been prepared by a scientist at ISRO. But all that I thought now was needed, was common sense.

“The time spent may also be a function of the scheduling of the programme. For example, a viewer may spend more time on one channel in the afternoon but in the prime time, the viewing may be fragmented across a higher number of channels leading to the viewer spending lesser time on one channel.” But will not the number of viewers be more in the prime time than in the afternoon? “Hey, not bad” says the genie.

Diagram 6
“This is the sixth commandment. You will have to take a business decision here – Whether a big fish on a small pond or a small fish in a big pond.” he preaches.
“Tell me”, the genie asks, “If you go in a restaurant and the ambience is good, does it not want to make you go back to it again?” Well, that’s no secret, is it.” In the same way, the channel environment plays a big role in viewer retention”, he propagates.

Diagram 7
“The above graph is a good way to understand channel dynamics. Channel A has 14% more secondages of advertising per hour during prime time compared to the full day while channel C has as high as 52% more secondages of advertising.” Therefore, make the channel environment conducive for the viewers. “A phenomena as microscopic as the ownership of remote control could lead to a complete transformation of television viewership. Let me give you the example of the recent FIFA World Cup finals on Ten Sports. The parallel telecast was the Natwest cricket match featuring India. Notice the undecided ball-by-ball movement of remote owning audiences between two channels”, I am apprised.

Diagram 8
“Compare this with the stable and non-obtrusive behaviour of non-remote owning audiences”, the genie smirked.

Diagram 9
One has to restrict this weaning away of the audiences so that the advertiser gets the maximum returns on his investment, I complete the eighth commandment.
Let me pre-empt the genie this time. Having got the viewers with the above commandments, the next thing should be to make them loyal to my brand.

Diagram 10
A higher loyalty index is an indicator of the trials being converted into brand loyalists.
“The whole environment being so competitive, though you have done all the right things as I have told you above, keep a sharp lookout on the competitors”, suggests the genie. “This is the next commandment – Capitalise on market opportunities.”

Diagram 11
“The above chart (Diagram 11) dispels the notion that people do not watch as much television on weekdays as compared to weekends.” explains the genie. “Dispelling myths and unlocking realities opens the doors of success.” completes my savior from heaven.

I was sure that this complete guide would help me to give my best efforts to my new passion for broadcasting. “Do not forget the last commandment”, says the evangelist.” Always keep an eye out for new jewels. Audiences may have a penchant for serials in one year but their preference may shift to comedies in the next year. One should also keep an eye on the events occurring in the overseas markets as the trend may be replicated in your market. Take the case of “Friends” or “Ally Mcbeal” that are big successes in USA and now also in India. In such cases, your business sense will prove your maturity in the business”.
The genie had shown me the way with the 12 priceless commandments. He waits for the feedback of all readers – to put into effect The 12 commandments – Feedback and Evaluation.

*All viewership figures above are courtesy TAM Peoplemeter System

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