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In an era where cloning of human beings is discussed
as casually as the latest movie in town, cloning of
products is par for the course. Not surprisingly, products
are beginning to resemble twins, and it’s becoming increasingly
impossible to tell one from the other. As a result,
just explaining what the product does is neither informative
nor interesting anymore. Anyone who thinks otherwise
needs a crash course in how the consumer thinks and
behaves in today’s world.
There’s no denying the fact that brand survival lies
in quality advertising. And the only clients that are
likely to capture the wallet and heart of the consumer
in the long run are the ones that understand this. Clients
who are willing to push creative boundaries and take
calculated risks. Especially at a time when advertising
budgets are shrinking. Those with huge advertising budgets
can afford to irritate the consumer with mediocre and
boring advertising until he gives in (“Oh all right,
I’ll try your product, just stop boring me with your
moronic ad”). But for a large majority of clients, it’s
a Catch 22 situation. The urge to succeed in the market
is enormous. Unfortunately, the advertising budget isn’t.
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.That’s
when advertising needs to take on a far greater responsibility.
It has to work harder to make a difference and to stretch
the budget. Because one great ad can do the job of 10
mediocre ones. Ed McCabe, the legendary writer of the
’70s and ’80s and the founder of the great agency Scali
McCabe Sloves, once said, ‘An agency needs three things
to produce great advertising: a management who wants
it, creative teams who can produce it and a client who’ll
buy it.’ And some of the clients who did are household
names today, like Nike, Volkswagon, Benneton, Pepsi
and Apple. They’re inspirational clients who break the
rules, take risks and believe in the power of creative
advertising. A single, simple message communicated dramatically.
It’s advertising that stands out in the clutter. The
famed “1984” commercial by Chiat/Day for Apple was aired
just once during the 1984 Super Bowl. The next day,
$6.5 million worth of Macs were sold in just four hours.
A recent example is of the car maker Skoda in Britain.
Once a butt of jokes, Skoda fortunes were reversed as
it became a serious player in the UK automotive market
through a brave and witty campaign from Fallon, London.
This is even more admirable considering Skoda’s budget:
a mere 4.5 million pounds, which was half that of Toyota’s
and 12.5 million pounds less than Renault’s. Faced with
only a two-month burst and a low budget, Fallon realised
that a change of direction for the product was necessary.
In a bold move, the agency and the client confronted
prejudice head-on, and used self-deprecating humour
(unheard of in India) to get independent-minded consumers
to re-evaluate the product. This short burst of humorous
advertising created a furore and met with universal
acclaim. Skoda won the Grand Prix ‘winner of winners’
award in the Chartered Institute of Marketing Effectiveness
Awards. More importantly, Skoda reached 61 per cent
of its year’s target in three months, and the manufacturer
suddenly found he had a 1,500-strong waiting list for
the first time in the company’s history. A great reward
for being brave, producing fine advertising and for
placing trust in the agency. Closer home, clients like
Cadbury, Times of India and NIIT have been producing
work that’s not only brilliant but is also working in
the market-place.
It doesn’t make business sense anymore to hide behind
excuses for bad advertising, (“Will Geeta in Gorakhpur
understand it?”). Well, Geeta from Gorakhpur watches
the same programs as Priya from Peddar Road. Or, to
put in another way, the consumer today is smart, aware
and most importantly, advertising-savvy. Irrespective
of where he or she resides. The question to ask is,
‘Will Geeta from Gorakhpur notice the ad’? Because the
truth is, people don’t buy newspapers to read ads, though
we’d like them to. They buy them to read the news. And
sadly for all of us, they don’t give a damn about advertising
or ads. The consumer is not sitting around waiting for
us to release an ad (“We can’t go out tonight honey,
I want to stay home and watch the new commercial they’re
going to air”). If it’s not entertaining, involving
or attractive, the chances of him noticing and remembering
the ad are slim and none, and slim just left town. It
doesn’t matter how much money one spends on research,
on the shoot, on production, on media buying. Because,
like Bill Bernbach said, “If your ad isn’t noticed,
everything else is academic.”
If there ever was a time when advertising had to work
harder and play a bigger role, it is now. The sooner
we understand this, the longer the brand will stay on
the shelf. And in the consumer’s mind. .
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