Special Media Issue
* Strategic choices of an advertising agency
* Re-engineering today's advertising agency for tomorrow
* Evolving equations:analysing the client-agency-media owner relationship
* Strategic Marketing Forum
* Face it: no one's willing to work for ad agencies anymore
* Why media planing must be redefined
* Pricing of TV time
* Need for a one-stop media shop for meeting clients' communication needs
* Making the right connections
* Conventional television in the time of convergence
* The ad industry needs a wake up call.... right now
* The importance of targeting in online advertising
* Frontiers of research
* Book Review





















Frontiers of research
Sampa Chakrabarty Lahiri
Strategic Management Research Team.
AGENCY-CENTRED
Client’s perception of agency
To know how advertisers think about and evaluate advertising agencies, 260 Korean advertisers were asked to name the top-of-the-mind advertising agency for each of several areas, including account management, creative work and media service.
According to the survey, an advertiser’s top-of-the-mind awareness (TOMA) of an agency for one or more client services is that agency’s differentiating competitive advantage with respect to this (potential) client. Studies confirmed that the Creative Dimension (CD) of an agency is more important than the Account Management Dimension (AMD) in driving preferences and, consequently, market share. Using this idea, management can swiftly realign its competitive advantage.
The large agencies perceived to be strong in managerial aspects may find their market share falling at the expense of the independents, who are perceived to be more creative. Remedial action can be taken fairly easily by stressing their creativity through high- profile PR exercises, this study suggests. —Woonbong, Na, Roger, Marshall, Yougseok Son, ‘An assessment of advertising agency service quality’, Journal of Advertising Research, May-June ’99
Risk orientation of advertisers
Advertiser risk orientation is viewed in the context of the propensity of advertising managers to engage in risk-taking. Findings based on a survey of top advertisers in North America measured by advertising expenditure suggests that taking an advertising risk is not something that happens in isolation. Risk-taking is inextricably linked to the confidence and outlook of companies, and this has important implications for the development and acceptability of risky creative work by agencies for clients.
Surveys revealed that risk-seeking advertisers differ from risk-averse advertisers in their attitudes towards creative and media decisions. The major difference between the two groups is that risk-takers are more confident about their selection of creative strategies and their choices of creative execution, and are more willing to try out different market segments, creative approaches and media and to react to market changes.
—West, Douglas, Sargeant, Adrian, 1999, ‘Advertiser risk-orientation and opinions and practices of advertising managers’, International Journal of Advertising, Vol. 18
Agency strategy: global efficiency & local responsiveness
Globally Integrated Marketing Communications (GIMC) is a system of promotional management which co-ordinates global communications across countries and promotional disciplines, regardless of whether a standardized or adaptive strategy is employed. A survey of GIMC perceptions and practices among US-based executives of large multinational advertis-ng agencies reveals that agency perspectives differ and are broadly subject to organizational as well as market contingencies. The findings confirmed and amplified the need to seek a balance between global efficiency and responsiveness to local conditions, which is necessary to achieve the desired degree of horizontal and vertical communication and coordination.
The respondents indicated that coordination was not necessarily associated with centralization. It was reported that the creative function was the most coordinated of the promotion disciplines while media-buying was the least, which suggests that the media function is perceived in more localized terms than the creative function.
The study suggests that not only should agencies think in GIMC terms but they should also integrate and share that thinking with their clients and use it to establish their own usefulness and competitive strategy.
—Gould, Stephen J., Dawn B., Lerman, Grein Andreas F., ‘Agency perceptions and practices on global IMC’, Journal of Advertising and Research, Jan-Feb ’99.
Ad and sales promotion budgets
An in-depth study based on 21 interviews, highlighting the practices of companies that are pro-actively coping with budgetary pressures, indicate that protecting advertising spending is more likely to happen when they:
*Tolerate the uncertainty associated with advertising spending
* Allocate funds based on forward-looking objectives (rather than historical precedent)
* Use more experienced brand managers who can balance marketing research information with intuition
*Remain focused on brand equity The factors affecting advertising and sales promotion budgetary allocations can be grouped into three main categories. The Good... ...practices which managers felt contributed to an effective decision process:
* Encouraging risk in an organization, combining quantitative models with judgment,
* Focusing on brand differentiation The Bad... ...uncontrollable practices which are the frustrating realities of the decision process:
* retailer power, short term focus, top-down influence And the Ugly... ...correctable flaws or problems in the decision process:
*political sales force influence, historical inertia, ad hoc changes
—Low, George S., Mohr, Jakki J., ‘Setting advertising and promotional budgets in multi-brand companies’, Journal of Advertising Research, Jan-Feb ’99
Brokering advertising knowledge efficiently
To tap into, manage and exploit their intellectual capital and to make a mark as creative knowledge brokers, it has become essential for advertising agencies to adopt Advertising Knowledge Management (AKM) strategies which consists of codification and personalization.
Codification
In codification, explicit knowledge is carefully classified and stored in databases ready to be accessed by anyone. This enables lots of people in the firm to retrieve data without contacting the originators.
Personalisation
Personalised strategy is based on tacit knowledge that requires learning by trial and error, leading to the build-up of skills. Rather than being codified, tacit knowledge is tied to the person who developed it and is shared by direct person-to-person contacts. A personalisation strategy concentrates on the belief that the most valuable knowledge exists in people’s heads and can be augmented and shared via interpersonal interaction or social relationships. The primary drivers pushing the application of AKM to communications are: accountability, time pressures and information overload, technology, reduced margins and leaner organizations and globalization.
AKM will enable leading ad agencies to offer cheap ‘commoditised’ advertising services, especially over the web. Speed will be of the essence in such services. The first successful AKM systems will prove themselves and gain the confidence of clients, and will come to dominate the market. Interactive commoditised AKM products will potentially generate even more knowledge and a stronger market position for the agencies concerned.
A strong and unified corporate vision is a prerequisite to building a learning framework and developing AKM. Decisions need to be taken simultaneously to flexibly integrate and lever learning within the agency. While the starting point for AKM is to consider the skill and knowledge of the agency, the organization needs to do the following:
* Develop rewards, recognition and career opportunities for specialists
* Create a unified vision in an organisation of specialists
* Devise a congenial management structure to organize task forces
* Ensure the supply, penetration and testing of top management
—Ewing, Michael T, West, Douglas, 2000, ‘Advertising knowledge management: strategies and implications’, International
Journal of Advertising, Volume 19
CONSUMERS’ BEHAVIOUR
Mirroring personality types
A total of 100 adults — 55 female and 45 male, belonging to the age group 22 to 57 — participated in a study over a course of three weeks, which indicated that individuals preferred images and advertisements that were consistent with the information-processing styles that characterized their personality types. On the basis of how one prefers to take in information and becomes aware of his environment, people were divided into two vast categories:
Intuitives: They tend to focus on possiilities rather than the concrete. They enjoy solving new problems, dislike repetitive tasks and tend to focus on future possibilities.
Sensors: They need hard objective facts coupled with an attention to details. They dislike new problems unless there are standard ways of solving them. The study revealed that images and advertisements that are perceived as realistic, concrete and informative will be evaluated more favourably and will elicit higher purchase intentions by individuals with sensor typologies as compared to ads that are perceived as imaginative, conceptual and abstract. The latter will find more favour with individuals with intuitive typologies. —LaBarbera Priscilla A., Weingard, Peter, Yorkston Eric A., ‘Matching the message to the mind: advertising imagery and consumer-processing styles’, Journal of Advertising Research, Sept-Oct ’98
Low-Involvement Processing of Ads
Recent studies indicate that consumers regard the most reputable brands as performing similarly, and do not think learning about brands is very important. Brand decisions are said to be made more intuitively than rationally.
Most ads are processed at very low attention levels, using low-involvement processing which is a cognitive process using very little working memory, i.e., it is poor at interpreting messages or drawing conclusions from ads. It simply records and stores everything as an association with the brand. The long-term memory works in such a way that the more often something is processed, the stronger are its links with it. Thus, it is these associations, repeatedly stored through low involvement processing, which tend to define brands in our minds and influence intuitive brand decisions.
Creativity does enhance the attention paid to ads. But it is hardly powerful enough to initiate the sort of high-involvement processing needed to interpret and store complex messages. It, however, does strengthen linkage between associations and the brand.
—Heath, Robert, 2000, ‘Low-involvement processing — a new model of brands and advertising’, International Journal of Advertising, Vol. 19.
Exposure continuity rewarded
The notion that a single exposure is not enough to create the desired effect is so pervasive that most media-planning models assume an effective frequency of three exposures a week, and that advertisers would rather plan to be off-air than to expose their advertising at frequency levels below the targeted three. However, studies show that being off-air, as required by the much-prevalent pattern, is equivalent to being out of stock at the point of sale. Researchers conclude that continuity of exposure is rewarded and that the off-air weeks penalize a brand.
—F. Von Gonten, Michael, Donius, James F., Journal of Advertising Research, July-August ’97
Medium, message and time in advertising
According to the newly proposed Double Helix model, advertising is non-linear, multi-dimensional, and achieves its effect over time, within limited parameters of medium and message.
The model points out that the time span over which media and message interactions occur is an important variable in the advertising environment and central to the current debate about effective frequency. According to this model, the exposure to the advertising may result in attention, sometimes in interest, desire or action, but not in a linear sequence as AIDA.
The helix structure is a useful metaphor for understanding brands with one strand forming the physical and functional virtues and the other strand forming the emotional values of a brand. Brand extensions are offspring that inherit part of the parent brand’s genetic material.
Ad effects are presented in this model as part of a continuous process rather than a series of steps oriented towards an end game of purchase or adoption. This model suggests that one ad, one exposure, even one campaign cannot communicate the compound of signals attached to the brands to create perceptions of value. The model challenges account-planners to develop more conclusive methods of measuring effectiveness and suggests that the thrust should be on how much advertising should be applied at each stage of persuasion process.
—Huey, Bill, ‘Advertising’s Double Helix: A proposed new process modal’, Journal of Advertising Research, May-June ’99
Six factors that shape buying decisions

Factors like the nature of the target audience, the purchase motivation and the importance of the decision to the consumer can dominate the consumer decision-making as explained in the six-segment message strategy wheel. It primarily consists of two halves: the ‘transmission view’ or the rational approach and the ‘ritual view’ or emotional approach.
The transmission view of communication deals with imparting information. The ritual view conceptualizes communication as constructing and maintaining an ordered, meaningful cultural world that serves as a control and container for human action. Those within the industry adhered to a transmission view while advertising could be more readily understood under the ritual view.
The factors influencing our decisions in the ritual view are categorized in the following segments:
Freudian psychoanalytic model
The consumer’s emotional needs are fulfilled by brands that are ego-related. Purchase decisions are emotionally important to the customer to allow him to make a statement to himself about who he is.
Veblenian social-psychological model
Emotional needs are fulfilled by brands that are visible to others. Appeal can be directed to gaining social approval through product consumption. Sensory factor
Products provide consumers with ‘moments of pleasure’ based on any of the five senses: taste, sight, hearing, touch or smell. The Cyrenaics strategy, that considers pleasure to be the sole end of life, seems apt in this segment.
The factors influencing our decisions in the transmission view are categorized in the following segments:
Marshallian economic model
Consumers are assumed to be rational and deliberative individuals. Their desire for product information is high. Appropriate strategies include generic, pre-emptive, USP and positioning. The role of advertising is to inform and to persuade. Acute need factor The consumers are driven by an acute need to buy a product. They desire information, but time limits the amount of information that can be gathered.
Pavlovian learning model
Consumer decisions are made on the basis of rational buying motives, but consumers do not invest large amounts of deliberation time, and buy according to habit. Advertising provides a cue to how the needs of the consumer can be satisfied by an introductory brand — once the habit is formed, ads remind the consumer to continue buying.
—Taylor, Ronald E., ‘Six-segment message strategy wheel, Journal of Advertising Research, Nov-Dec ’99
Can consumers be manipulated?
Consumers possess the ultimate sovereignty in a consumer society. Though the silent majorities cannot change the way things are drastically, they are endowed with the supreme power to take the system to its extreme, self-defeating logic; they can tear things down as quickly as they can build things up, if they so desire. The masses, who react to advertising on a mediated ‘knowing’ level, can never be manipulated with the disarmingly ‘fooling’ ads. Perhaps they have always known more than advertisers gave them credit for. The people in the advertising business ought to remember that as image-makers, they are not shadowy manipulators but the very conscience of the new society.
—Boutlis, Paulie, 2000, ‘A theory of post-modern advertising’, International Journal of Advertising, Vol. 19.
 
 
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